Teresa Brewer’s last top ten sack of sugar begs the question: “How many songs about sad women does one society need?” Woodwinds trying to sound mournful, a chorus trying to sound interested and Teresa trying to convey “crying” lead me to believe that there was a reason why rock and roll supplanted this garbage. And if this was an R&B hit first (like someone else I won’t name), then it must be of the smoove variety. This song is neither poignant nor worthwhile. So now who’s the fool?
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